The other day I was looking at my record collection, built over the last fifty years, and I thought about the many magic music moments contained in them. I have decided to launch a series of these musical declarations of devout humanity.

Each Magic Music Moment was picked for uniqueness, clarity of language, depth of feeling and humanity.

I hope these will hip you to new music or will give deeper understanding and appreciation of what  you have heard before.

If you're like me, the second time you see a movie you are amazed and embarrassed at what you missed the first time.

The same is true of any type of sensory experience. With each subsequent viewing or listening we get deeper into it. That is, unless we are "multi tasking" and not having a rich experience with any of it.

For those of you who want to make your own magic music, contact David Bloom at the Bloom School of Jazz: click here.




Click Here for Magic Music Moment #13

Not the "Same Old Tune." Enjoy some very different chord variations of minor blues.
Topic: Variations on Minor Blues


Click For Magic Music Moment #12

Hi Friends of Bloom School of Jazz, This is a new recording from last night. 
For Eddie P is a composition dedicated to salsa giant, Eddie Palmieri. I wrote and arranged the chart, and Cliff Colnot produced and wrote the string arrangements.

Song: For Eddie P
Artist: David Bloom 


Click Here For Magic Music Moment #11

This Magic Music Moment is in honor of Thanksgiving -- the holiday that most awakens gratitude. Please let Lynette Hawkins singing "Be Grateful" fill you up. This song is written by Walter Hawkins, a Grammy-winning Gospel music vocalist and pastor. He and his five siblings, including Lynette Hawkins-Stephen (the featured vocalist on this track), made up the Hawkins Family.  With a prolific career spanning forty years, Walter produced dozens of albums, making him one of contemporary Gospel's most legendary figures. 

Song: Be Grateful
Artist: Walter Hawkins & the Hawkins Family


Click For Magic Music Moment #10

Cannonball Adderley was one of the top alto sax players in jazz history. He was a virtuoso of the saxophone and had a very bright approach with his sound and his attitude. Cannonball Adderley was on Kind of Blue, a landmark record with John Coltrane and Miles Davis. 

Song: Groovy Samba
Artist: Cannonball Adderley

Click Here For Magic Music Moment #9

Artist: Gene Ammons

Tune: House is not a home.
Composer: Burt Bacharach

It is obvious to anyone who just listened to Gene Ammons playing "House is Not a Home" that he is a complete master of musical storytelling. This rendering of the Bacharach song is only one chorus, but takes you not only on a tour of his soul; but of yours, if you are paying attention. 

Gene Ammons's playing used the ultimate dynamic range; from a whisper to a scream. He always refreshed the listener's interest through his restraint and assertion.


Click Here For Magic Music Moment #8

Artist: The Hollies

Tune: He Ain't Heavy, He's My Brother
Composers: Bobby Scott and Bob Russell

It is a rare occurrence when a hit pop tune actually has a strong message.


Click Here For Magic Music Moment #7

Artist: Wes Montgomery

Tune: Movin' Along written by Wes Montgomery
Album: Movin' Along Wes Montgomery

Wes Montomery, one of the greatest jazz artists of all time, had the ability to play exquisitely refined solos that sounded like they were composed. His no-notes-without-message approach is a great lesson for anyone playing, speaking, or communicating in any way. 


Click Here For Magic Music Moment #6

Artist: Olivier Messiaen

Tune: Dance of Fury from Quartet For The End of Time
Album: Amici Chamber Ensemble

Dance of Fury is a sensational audio environment to imagine all kinds of scenarios. Ambiguity is our imagination's best friend.


Click Here for Magic Music Moment #5

Artist: The Emotions

Tune: The Best Of My Love
Album: The Emotions Rejoice

One of the greatest grooves of all time, The Best of My Love washes away any psychological debris and just leaves us with pure joy.


Click Here for Music Moment #4

Artist: Red Garland

Tune: My Funny Valentine
Album:  Miles Davis Cookin'

Red Garland is one of those rare musicians who treats each note as important and expensive currency that he graciously shares. The space he uses lavishes us with what he has just played, as well as intensifying our involvement and anticipation of what's to come.


Click Here for Magic Music Moment #3

Artist: Take Six

Tune: Shall We Gather At The River
Album: Take Six The Standard 

The Take Six acapella vocal group is a text book example of synergy; the whole is greater than the sum of the parts. The bass is a exceptional singer and the other five are decent. But when they sing together... it's fabulous.

Take Six is a model for any group hoping to make profound music. All we hear is love for singing and the joy to make music with people they love. They have truly allowed the music to be all it's about.... and we hear it.


Click Here for Magic Music Moment #2

Artist: Joe Henderson

Tune: Idle Moments written by Duke Pearson
Album: Idle Moments leader Grant Green 

Joe Henderson is one of the greatest jazz artists who has ever lived. His hundreds of fabulous solos on his own as well as other leader's recordings shows he made profound music with whomever he played.

His musical story-telling transcends postbop and at arrives at a universal human language.

It's easy for us to hear our life script in what he plays.


Click Here for Magic Music Moment #1

Artist: Herbie Mann

Tune: Comin’ Home Baby written by a BenTucker
Album: Standing Ovation at Newport by Herbie Mann

The first jazz album I ever heard was Herbie Mann’s Live at the Village Gate. On that album was another version of Comin’ Home Baby.   I was seduced by the latin groove with enticing story-telling melodic solos. This album was the beginning of my jazz interest. It created a standard of melodic accountability.

Magic Music Moment #1 featured a more aggressive approach than his solo three years earlier. His hard-hitting attack sounded atypical of a flute solo and more like a sax solo.

Unfortunately, after these recordings, Herbie started recording commercial popish records beginning with the Memphis Underground in 1969. His wonderful unencumbered pied piper approach was overcome by his desire to have hits.

The good news is he left us many  Magic Music Moments.

I highly recommend the first two recordings mentioned above.


Bonus: Reharmonization

Click for "Three Blind Mice Go Around the World"